Jakobson's functions of
language
From
Wikipedia, the free encyclopedia
Roman
Jakobson defined six
functions of language (or communication functions), according to which
an effective act of verbal
communication can be
described.[1] Each of the functions has an
associated factor. For this work, Jakobson was influenced by Karl Bühler's Organon-Model, to which he added the poetic,
phatic and metalingual functions.
The six
factors of an effective verbal communication. To each one corresponds a
communication function (not displayed in this picture).[2]
The six functions of language
The
Referential Function
corresponds to the factor of Context
and describes a situation, object or mental state. The descriptive statements
of the referential function can consist of both definite descriptions and deictic words, e.g. "The autumn leaves have all fallen
now."
The
Expressive (alternatively called "emotive" or "affective")
Function
relates to the Addresser (sender)
and is best exemplified by interjections and other sound changes that do not
alter the denotative
meaning of an
utterance but do add information about the Addresser's (speaker's) internal
state, e.g. "Wow, what a view!"
The Conative
Function
engages the Addressee (receiver)
directly and is best illustrated by vocatives and imperatives, e.g. "Tom! Come inside and
eat!"
The Poetic
Function
focuses on "the message for its
own sake"[3] (the code itself, and how it is used)
and is the operative function in poetry as well as slogans.
is language for the sake of
interaction and is therefore associated with the Contact/Channel factor. The
Phatic Function can be observed in greetings and casual discussions of the
weather, particularly with strangers. It also provides the keys to open,
maintain, verify or close the communication channel: "Hello?",
"Ok?", "Hummm", "Bye"...
The
Metalingual (alternatively called "metalinguistic" or
"reflexive") Function
is the use of language (what
Jakobson calls "Code") to discuss or describe itself. (All this
article is an example of metalinguistic Function).
References
2. Middleton, Richard (1990/2002). Studying
Popular Music, p.241. Philadelphia: Open University Press. ISBN 0-335-15275-9.
3. Duranti 1997
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